There are things you can do to pass the time as you build up the courage to walk up to the Coward’s front stoop and ring the bell with the piece tucked neatly in the waistband behind your back as all the old movies suggest. You can sit quietly in your car and create a cigarette ashpile on your lap. You can listen to cicadas drone and record the cacophony on your phone, play it back real slow so they all sound like they’re yelling for the rest of their lives, which are usually short for insects. You can think some more about The Unspeakable Thing that he did to you that similar summer day all those years back and smell the mud that went up your nose as he pressed your face against same, as the feeling went out of your hands, then wrists, then the Other Place, and the nondescript backyard’s lawn’s grass blades waved back and forth rhythmically to the force of his thrusts. You can ponder the etymology of a word like “unspeakable”–an innocuous word, and one you think you could get to the root of if you really wanted to.
You could instead use the human-specific gift of foresight you’ve been given as a member of the species and think of all the possible scenarios that might go down when you march right on up to that stoop and try to force your bladder to do things against its will as the Coward did to you for very different reasons all those years ago, try not to pee and negate the whole thing when he finally answers the door, when you’ll make just the right scowl of vengeance, the one you’ve been practicing in the mirror all week and let the weight of what’s about to happen really sink in for him before equipping the piece and using it on him. But the trick, you realize, is to use it at just the right moment so as to ensure that his last human thoughts will be on the unimaginable error of his ways and not on something like how funny his show was before he had to get up and answer the door. You can’t wait too long, either–you wouldn’t want him praying for forgiveness or actually asking it or anything like that. It’s all about timing. You know that.
It occurs to you that relieving yourself might be unavoidable, if not desirable for what needs to be done. Considering you unintentionally relieved yourself after he relieved himself in a very different way inside of you, the reaction might be a Pavlovian one, and could very well be activated the second you see his face again. But normal people don’t piss their pants. Crazy people do. And if he thinks you’re crazy, he’ll be scared. Again with the whole last thoughts thing.
You consider what the headline might be for something like this. Something involving “outrage as,” most likely, like: “OUTRAGE AS GUNNED-DOWN VETERAN FIGHTS FOR LIFE,” “OUTRAGE AS VET SHOOTER REMAINS ON THE RUN,” “OUTRAGE AS DES PLAINES MOURNS ITS HOMETOWN HERO,” etc. The anger you feel at the inevitable headline-related injustice is useful. It’s just what you needed, frankly, and so you get out of the car and march right on up to that stoop and let your bladder know that it can do just about whatever it wants right about now. And you ring the doorbell, which sounds lovely. And you wait patiently. And you don’t hear any prior door-approaching footsteps, which is odd, but the door awkwardly jars open a couple inches, then another couple as the Coward holds the door with one hand and struggles to wheel backward in his chair with the other. And you find yourself unintentionally helping him open his door to you, to the man he raped all those years ago when the man was a boy, to the man who will now end his life just as soon as suitable last thoughts can be assured.
And you try on the practiced scowl and stand there ominously once the door’s all the way open and propped against his chair’s right front wheel, and the bladder lets go in Pavlovian fashion just as you thought it would, and he sees the pee stain right away with the eye that wasn’t blown away by the IED, can’t smell it with a nose that is no longer on his face, and has trouble speaking about it with lips that have been grafted from ass flesh, but you come to understand that he has a change of pants inside if you needed them, and he understands if you don’t want them.
You listen to the cicadas droning their insectal/coital chatter. To the cars Dopplering past each other far away on busy streets. You feel the urine warm first your genitals, then your thighs, then trace ticklish lines down both legs. The piece feels unnaturally cold against the skin of your back, its muzzle threatening and grazing the Other Place.
Your head is very, very hot.
And you march right on inside, and will you bwait juss a second while I bit the pants he asks against the grafted ass flesh, and you will, and you close the door more so others won’t have to see the squalor of his house than the growing stain in your pants. And replacement pants have been fetched, and they’ll do you a whole hell of a lot better than they’ll do him with his atrophied legs and his left foot missing in action.
And he points out the bathroom for changing, or baffrum as his mangled lips render it, and you change right there in front of him instead. You let him see the body he had once, the body you now have. And the piece falls from your waistband, and you leave it lying there on the floor.
Blease juss do it, he says.
But you don’t do it.
Nicholas Olson is a fiction/screen writer with a BA in Cinema Art + Science from Columbia College Chicago. A triple finalist in the 2013 Written Image Screenwriting Competition, he currently resides in the Chicagoland area where he’s crafting a novel and wrangling a cat. He has work published or forthcoming in Apocrypha and Abstractions, The Open End, and Flash Fiction Magazine. He can be stalked at http://nicksfics.com.